Tuesday, June 15, 2010

Sacred Sheep Revive Navajo Tradition


June 13, 2010

For as long as anyone can remember, Churro sheep have been central to Navajo life and spirituality, yet the animal was nearly exterminated in modern times by outside forces who deemed it an inferior breed. Now, on a Navajo reservation of northern Arizona and New Mexico, the Churro is being shepherded back to health.

The Navajo Nation is the size of West Virginia, and at last count, 175,000 people live here. Most people are spread out in small clusters that you see off in the distance from the highway. Amongst modern prefab houses and hogans, the multisided traditional homes of the Navajo, are often corrals with small bands of sheep grazing nearby.

"Sometimes you find me, and I just want to sit in the corral with them," Navajo weaver Roy Kady says. "Just find a corner and I sit there. They motivate me, even just to see them; it's that strong to me."

Churro sheep are smaller than most breeds and have a long, wavy lustrous fleece that is valued by Navajo weavers like Kady. He lives near Teec Nos Pos, where he's chapter president — sort of like being the town's mayor. For him, this flock is part of something larger, something he calls "din'e bi iina," the Navajo lifeway. "Din'e" is the preferred name for the Navajo, and "bi iina" means "lifeway."

"Sheep is your backbone," Kady says. "It's your survival. It's your lifeline."

For centuries, the Churro was all these things, providing the Navajo with what they needed to survive in the stark desert: meat for sustenance, wool for weaving clothing and blankets, sinew for thread. It's no wonder the Navajo are grateful, even reverential when it comes to the Churro.

"Sheep is a very important part of this whole cosmology to us," Kady explains. "You know, there are songs to where it refers to 'the first thing I see is the white sheep to the East when I wake up to make my offering. It stands at my doorway.' And that's how we know that the sheep is something that's very sacred to us."

Where The Churro Went

The Churro were the first domesticated sheep in the New World, and, by most historical accounts, were brought to the Southwest by Spanish Conquistadors in the 1500s. Over the next three centuries, Churro sheep and the Navajo wove a life together in a balance of nature. However, by the 1860s, America's westward expansion collided with Navajo resistance. In a tragic move, Kit Carson and his troops were ordered to relocate the tribe and destroy their livestock.

Sheep is your backbone. It's your survival. It's your lifeline.

"The eradication of this particular sheep breed — because we are connected to it with songs and prayers and ceremonies — when it was taken from us, that part of our life was also destroyed," Kady says.

Eventually the Navajo were allowed to return to their ancestral lands, where they built their herds back. That is, until government agents returned in the 1930s — with orders to eliminate the Churro.

"The U.S. government thought that they had too many sheep — and the wrong sheep," says Lyle McNeal, a professor of animal science at Utah State University. He says the reason the government gave was environmental.

The Churro "were causing premature siltation on a new dam being built on the Colorado called Hoover," McNeal says. "They felt that the runoff and the overgrazing would make that dam worthless in a few years." In 1934, the federal government started a stock reduction.

Killing off the Churro sent the Navajo economy into a tailspin. Realizing the tribe could not survive without their herds, the government introduced standard breeds, whose meat and wool were more uniform to market demand.

Rediscovering The Churro

For decades, most people thought the Churro had been decimated. But in 1972, when McNeal was teaching in California, he took his students on a field trip to the Salinas Valley where he noticed some strange-looking woolly creatures as they stopped to visit a rancher.

"At that stop is where I really first saw a living Churro. I'd read about them before then, but I had never seen one up close," he says. The discovery spurred what can best be described as a personal and professional calling — a 30-year mission to bring the Churro back from the brink of extinction.

McNeal and his supporters scoured hidden canyons on the reservation for surviving Churro, and eventually found enough animals to begin a breeding program. This led to the establishment of the Navajo Sheep Project, which is dedicated to bringing back the Churro.

"When I had sheep in the truck and we were making deliveries down there and I'd stop to get some gas, some of the elders would be attracted to the truck," McNeal says. "They would say, 'These are the real sheep. Where did you get them?'"

"That's when I started getting the signal that these are more than just a sheep, so it added a dimension to the Navajo Sheep Project effort that I hadn't expected."

A Blessing Of Sheep

The road between Gallop and Shiprock, N.M., leads toward a sheer sandstone cliff. In a corral with a few dozen Churro, weaver Tahnibah Natani gathers her ewes and rams as her husband prepares for a ceremony to bless and protect the sheep.

Anderson Hoske is a medicine man. He's lit up a mix of local plants, making sure all the sheep breathe in the thick aromatic smoke from the smoldering fire.

"The smoke is like a flu shot to them," he says. "It's all about chasing away the sickness spirits, different sicknesses."

Hoske begins to chant. He sings an ancient prayer, then Natani fills a sacred pipe and blows smoke into the face of each sheep.

This is a family that shows its gratitude for the gift of life that is given each time it takes an animal for food. This is a family that will shear these sheep, clean the wool, spin it into yarn — which then goes to the loom to be woven, not just as a work of art, but a visual representation of heaven on earth.

"So when you are weaving, actually you're doing a prayer because the warp is considered a representation of rain," Natani says. "The tension cord is lightening. The top of the beam of the loom, the very top, represents the sky, Father Sky. And the bottom bar represents Mother Earth. Everything on the loom has a special song for it."

"So it becomes a prayer."

A Tradition Endangered

Natani and Hoske are committed to keeping the traditions of their ancestors alive in a modern world. They're active in a region-wide community of herders, weavers and restaurateurs who are dedicated to the Churro. Even though the breed is a small minority of the sheep on the reservation — there are just over 4,000 of them — it's no longer considered endangered.

But while the Churro are thriving, it may be that this weaver and medicine man are becoming the rare breed, even within their tribe. Like most Americans, Navajo have become tied to a paycheck economy and a new generation is growing up mesmerized by what's beamed in on the satellite dish.

On a background of pink sand, golden brush and a pewter gray sky, Kady and his mother enter their remote hogan to escape the cold. They occasionally trade words in Navajo, but otherwise she sits expressionless in her long skirt and bright scarf as her son reveals a deep worry for the survival of his tribe's traditions.

"I think we are at the point where, yeah, it could die out — tomorrow," he says. "But coming from my heart is that ‘Wait a minute, hold on — you know, this is good and has to be continued.' You oftentimes hear the phrase, 'Oh, the youth are tomorrow, they are our future,' that sort of thing. But I always say, 'No. They're now. It has to happen now.' We as teachers need to stop and say, 'Let's get with it and teach them before it's forgotten.'"

This started out as a story about saving an endangered breed of sheep from extinction, but in the end, it's about more than that. It's about an endangered culture struggling for survival in a shrink-wrapped world.

Wednesday, June 9, 2010

American Indian Activism

American Indian / Native American Activism


Books and Articles

  • Burnette, Robert, and John Koster, The Road to Wounded Knee. New York: Bantam Books, 1974. Influential contemporary account of Indian activism in the 1960s and early 1970s.
  • Crow Dog, Mary, as told to Richard Erdoes. Lakota Woman. New York: Grove Weidenfeld, 1990. (Auto)Biography of one of the women at the center of the Wounded Knee occupation and other AIM actions.
  • Johnson, Troy. The Occupation of Alcatraz Island. Urbana: University of Illinois Press, 1996. Most comprehensive treatment of this key event in the evolution of Indian resistance.
  • Johnson, Troy, Joane Nagel, and Duane Champagne, eds. American Indian Activism: Alcatraz to the Longest Walk. Champaign: University of Illinois Press, 1997. Collection of articles by many of the key scholars on Indian activism before, during, and after the Red Power era.
  • Josephy, Alvin, et al. eds. Red Power: The American Indians’ Fight for Freedom, 2nd ed. Lincoln: University of Nebraska Press, 1999. Reprint of key collection of essays by and about Indian activists in the Red Power era.
  • Kilpatrick, Jacquelyn. Celluloid Indians: Native Americans and Film. Lincoln: University of Nebraska Press, 1999. Fine general study of Indians in mainstream and anthropological films.
  • Matthiessen, Peter. In the Spirit of Crazy Horse. New York: Viking Press, 1983. Documents the evolution of AIM and the FBI attacks on them.
  • Means, Russell, with Marvin J. Wolf. Where White Men Fear to Tread: The Autobiography of Russell Means. New York: St. Martin’s Press, 1995. Autobiography of the “actorvist” who played a key role in AIM during its heyday and then moved on to Hollywood, while continuing to be an activist.
  • Nagel, Joanne. American Indian Ethnic Renewal: Red Power and the Resurgence of Identity and Culture. New York: Oxford University Press, 1996. History that places the Red Power movement into the wider context of post–World War II Indian cultural transformations.
  • Peltier. Leonard. Prison Writings: My Life Is My Sun Dance. New York: St. Martin's Press, 1999. AIM activist Peltier, still in prison for murder, has continued to be a voice for Indian resistance.
  • Singer, Beverly R. Wiping the War Paint Off the Lens: Native American Film and Video. Minneapolis: University of Minnesota Press, 2001. Traces the self-representation of Indians in film since the 1970s, and discusses how this differs from Hollywooden Indians.
  • Voices from Wounded Knee, 1973: In the Words of the Participants. Roosevelt, NY: Akwesasne Notes, 1974. Firsthand accounts by Indian activists at and around the Wounded Knee occupation.
  • Warrior, Robert, and Paul Chaat Smith. Like a Hurricane: The Indian Movement from Alcatraz to Wounded Knee. New York: New Press, 1996. Most comprehensive and balanced study of AIM.

Multimedia

  • Alcatraz Is Not An Island. Directed by James M. Fortier. Independent Television Service (ITVS) and KQED, 2001. An award-winning one-hour public television documentary on the Indian occupation of Alcatraz in 1969.
  • Incident at Oglala. Directed by Michael Apted. Artisan Entertainment, 1992. Documentary on AIM and the events surrounding the murders that led to Leonard Peltier’s imprisonment.
  • Lakota Woman: Siege at Wounded Knee. Directed by Frank Pierson. Turner Films, 1994. Made for TV with video release. Based on Mary Crow Dog’s autobiography, this is the most substantial treatment of AIM in a fiction film.
  • Powwow Highway. Directed by Joanelle Nadine Romero and Jonathan Wacks. Handmade Films/Warner Bros., 1986. Set in the context of the AIM era, the film includes some scenes depicting the struggles within Indian communities for political control.
  • The Spirit of Crazy Horse. Directed by Milo Yellow Hair. PBS, 1990. One-hour documentary exploring the historical context of, and the mixed reactions to, AIM on the Pine Ridge reservation.
  • Thunderheart. Directed by Michael Apted. Tristar Pictures, 1992. Highly improbable story of a half-Indian FBI agent who investigates and then sides with activists modeled on AIM.
  • Warrior: Life of Leonard Peltier. Directed by Suzie Baer. Cinnamon Productions, 1992. Sympathetic portrait of Peltier as framed by the government to help stop AIM.

Native Artists

Native Artists

Activists Winona LaDuke
http://www.tnews.com/text/laduke.html

Lissa Mitten
http://www.library.pitt.edu/~lmitten/indians.html

http://www.library.pitt.edu/~lmitten/performers.html

Ableza - A Native American Arts & Film Institute

ATOLL - Native band from Colorado

Centre for Indigenous Theatre
North American's Leading Aboriginal Theatre Training Centre

Jack Gladstone - Blackfeet singer and songwriter

Cynthia Goodrich - Creek/Choctaw actress/model

Inuit Art Foundation

Kevin Locke - Lakota flute player and hoop dancer

Mayan Marimba Music Cassettes and CD's

The Russell Means Home Page

Native American Actors
a pretty comprehensive list
of Native actors, with filmographies

Native American Artists Home Page

Native American Women Playwrights Archive

David Neel - Kwagiutl photographer

Sonny Nevaquaya - Comanche flute player

Sean Michael Perry - - Salish actor and musician

Ronald Roybal's Homepage - Tewa flute player

Buffy Sainte Marie - Cree singer

Spirit Mountain Singers (from Fond du Lac)

John Trudell - Santee Sioux activist/poet/actor